African childhood
Across Africa a child is not only a member of an ancestral bloddline but also a future custodian of the culture of its people. From the outset, many differents ceremonies, are performed wich despite cultural differences express the same central theme, heralding the entry of a human being into the fist stage of life, and establishing the child as the newest addition to a particular lineage.
Because infant mortality remains high in Africa, many cultures are extremely superstitious during the first few years of child’s, life and carry out, rituals to offer it protection from danger. The Himba of Namibia, never leave, a baby on its own, or even put it down, lest the child be stolen, away by some, malevolent spirit. The Woddabe, of Niger do not name children, before their twelfth birthdays so that they cannot be identified by the spirit of death. Massai babies, however are named soon after birth and a ritual shaving of the heads of both mother and child serves to bond the pair before a name, is officially given by the village elders. The Kassena of Ghana, seek the help of their soothsayers to divine the name of a child before it is born, and to choose a personal deity that will protect the infant troughout its childhood. Despite this precaution, deaths occurs , and there are prescribed rituals for deceased children, and their surviving families. The fon people of Benin, commemorate the death of a twin child, (twin births being very common in that society) by carving a doll that is carried around by the mother and treated as through it were the embodiement of the dead twin.
In all African societies, childhood is time for learning responsibilities, ans skills that enable children to contribute to the community. Under the instruction of their mothers, small girls help with domestic chores , boy often look after goats and sheep. Early training in work, however is balanced with adequate time for children to develop creativity through imaginative play. This can be observed in the lively behavior of Surma children, from Ethiopia, who find expression through body painting and the imitation, of animals in their games. African childhood has also traditionnaly been a time for encouraging children to take an active part in tribal ceremonies, their first steps on a journey that encompasses all the realms of human experience.
Kassena baby from Ghana is ritually bathed with water from calabash following kassena practices surrounding birth, the infant’s mother will have consulted the village soothsayer to learn not only the personality of her unborn child but also the clothing and jewelry that must be acquired to prepare for his or her entry into the world. Most importantly the diviner will have told the expectant mother wich wei should be selected to act as the focus for worship and sacrifice throughout the child’s life. The wei which can be anything from a tree to a stone is regarded by the kassena as the child’s spiritual advocate and greatest protection during its early life.
Wodaabe baby from niger receive their first bath from their grandmother who mixe fragrant leaves in the water to bring good health. The infant’s pale pink skin typical of woodabe newborns will darken within few weeks. Firstborn infants are set apart from other children. Strong taboos prohibit mothers from calling them by name or specaking to them directly. Some mothers even refuse to nurse for the first few days asking other mothers substitute. This code of reserve protects a mother from the pain of the possible loss of their first born in a country where infant mortality is high. Despite this first born infants are reared by adoring grandparents an co-wives an receive a loving emotional foundation
Massai babies : the firt and most important moment of childhood rituals is the baby naming ceremony. Following the slaughter of a sacrificial goat the haeds of both mother and baby are shaved to signify their simultaneous entry into a new pahe of life, their shorn hair is placed around a pool of milk in the center of the seat of a stool, as an offering to seal mutual bond. On the venning of the ceremony, the mother leaves her hut with her baby on her back to milk a goat. When she returns she joins the child fathers and thrre elders who have been discussing a choice of name.
They all enter the hut and with the mother holding the child on her knee the elders announce its new name, proclaiming “may that name dwell in you”
Himba babies : always the center of attention, himba babies from Namibia, are never left on their own, and are carried everywhere in a hide backsling, or on the hip of their mother, or caretaker. The pastoral himba regard their offspring as a great blessing and even a cattle rich man is not considered truly wealthy until he has many children and grandchildren. Playing safely in her sister’s arms the himba bay at right wears a leather talisman around her neck to dispel the attention of evil spirits. As a measure of protection and beautification, himba bay are adorned with jewelry and smeared with a mixture of red ochre from the earth ans animal fat when they are only a days old.
Surma babies : on festive occasion, surma children from Ethiopia decorate their bodies using chalk and earth pigments to create fanciful patterns. The youngsters begin learning the art of bodfy painting at an early age by imitating their parents,. Possessing little in the way of material scul^ture the surma paint themselves, as their prime means of artistic expression.
Imaginations run wild as they turn their own bodies into works of art incorporating the human the face of a cow, and for young girl the mature breasts of their older sister. To reveal their close bond to one another best friend often paint their faces with identical design.
Fon people : every year the Fon people of Benin, pay homage to their population of twins, both living and dead. A welcome event the birth of twins signal the arrial of “he who comes divided , all twins being regarded as separate parts of a single being. Twins are considered sacred and are treated more carefully than other children, they are always dressed alike and gifts given to them, must be in duplicate. If one twins dies a small wooden image of the deceased must be carried by the mother and cared for alt all times. All gifts to the survivor, must be duplicated one for the living twin one for the dead. After they have both passed away a pair of statue known as hovi is carved and these are honoured at an annual community twins festival. A fon woman cares for three dolls, one for her father, one for his twin brother and one that she founbd lying in the street and feels obliged to look after. Cooking ans washing for her Hovi she loves them as if they were their own children.
Young Krobo girls : imitating ceremonials dress of their olders sisters young Krobo girls from Ghana are initiated into womanhood. Traditionally the girl undergo Dipo initiation during their late teenage year in preparation for marriage. Due to pressures from modern world , however , some parents put all of their daughters through Dipo at the same time, producing a genartion of very young initiates. Ordinarily, Dipo is the dream of Krobo girls who for year eagerly anticipate the time when they will put on their mother’s beads and decorative cloth. In Krobo culture beads are a vital part of female adornment; reflecting social status and often providing protection. A baby receives her first beads at her naming ceremony seven days after birth. She is given two or three beads on a cord which is tied onto her wrist for one week. Later she receives a strand of waist beads that she will wear throughout life and extend or replace as she grows. After marriage her husband may refer to her waist beads as a man’s rosary.
Ndebele child from the Gauteng province of south Africa are dressed by their grandmother, in preparation for a family wedding. On her legs girls wear beaded hoops called Golwani. Underneath her matching waist hoops is tied an apron of beaded tassels known as Lighabi, which also worn by both sexes, is more usually found on girls. As the chil grows the Lighabi is replaced by larger versions ans is finally discarded after her initiation into womanhood.
text and photo according to African Ceremonies, Carol Beckwith - Angela Fisher