Result of the research : 'masks'
Maître de Bouaflé

Simone Breton en 1927. Man Ray

Mask Gouro Maître de bouaflé
Vente record pour un masque ayant appartenu au surréaliste André Breton masque Gouro de Côte d’Ivoire a atteint la somme respectable de 1 375 000 euros

Mask Gouro Maître de bouaflé

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The Authenticity of African Sculptures
by Henri Kamer
The issue of authenticity of African art has been central to collectors for decades. Henri Kamer, who was president of the International Arts Experts Association at the time, published an outstanding account of the state of the matter in Artes d'Afrique Noire, No. 12 (1974). The text that follows is extracted from an English translation of that article, and has been edited further. The original includes a number of illustrations. They are not included here because I believe the text suffices without them.
The original version, including the illustrations, in French and with the English translation, is
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African Art on the Internet
15th Triennial Symposium on African Art, Arts Council of the African Studies Association, 2011, Wednesday, March 23 - Saturday, March 26, 2011, UCLA, Los Angeles, California
http://www.acasaonline.org/conf_next.htm
Addis Art - Ethiopian Art and Artists Page
Contemporary Ethiopian art and artists - paintings, sculptures and digital art work by students and professionals from Addis Ababa, Ethiopia. University instructor, Getahun Assefa's paintings, drawings, sculpture, digital art. Also work by his brother, Tesfaye Assefa. Based in Addis Ababa, Ethiopia. [KF] http://www.addisart.com/
Addis Art - Nouveau Art from Ethiopia
Artists include Shiferaw Girma and Lulseged Retta. Photographs of each artist's work, a biography, and video. Founded by Mesai Haileleul. [KF] http://www.addis-art.com/
Adire African Textiles - Duncan Clarke
History, background, and photographs of adire, adinkra, kente, bogolan, Yoruba aso-oke, akwete, ewe, kuba, and nupe textiles. The symbolism of images is often provided. One can purchase textiles as well. Clarke's Ph.D. dissertation (School of Oriental and African Studies) is on Yoruba men's weaving. See also the Adire African Textiles blog. Based in London. http://www.adireafricantextiles.com/
Afewerk Tekle
"Ethiopia’s leading artist." Biography, his paintings, sculptures, mosaics, murals, art in the artist's home. Afewerk created the stained-glass windows at the entrance of Africa Hall, headquarters of the United Nations Economic Commission for Africa. "In 1964, he became the first winner of the Haile Selassie I prize for Fine Arts." "In 2000, he was one of the few chosen World Laureates by the council of the ABI on the occasion of the 27th
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VAN DYKE Kristina
African Art from The Menil Collection
Détails sur le produit: Relié: 240 pages - Editeur: Yale University Press (26 septembre 2008) - Collection: Menil Collection - Langue: Anglais - ISBN-10: 0300123760 - ISBN-13: 978-0300123760
Descrizione libro: Yale University Press, United States, 2008. Hardback. 305 x 229 mm. Brand New Book with Free Worldwide Delivery. Bamana masks and headdresses, Lega ivories, Dogon sculpture, and Benue bronzes are among the many exquisite African artefacts found in the renowned Menil Collection. This stunning book, the first comprehensive catalogue on the de Menils' collection of African art, features 120 of the museum's finest pieces.An essay by scholar Kristina Van Dyke discusses the formation of the collection, which was inspired in part by its relationship to modernist works and by the couple's interest in human rights. This insightful text also explains how the de Menils' visionary spirit was influenced by African art and places those objects within the context of the whole of the de Menils' collection, in which works from ancient, Byzantine, medieval, modern, Oceanic, and Native American cultures speak to the universal struggle for human understanding. Entries for the selected works were written by leading scholars in the field and are grouped into section based on
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VAN DER PAS Kathy & VAN DE RAADT Steven
COMMUNICATIVE MASKS - MASQUES DE COMMUNICATION
Détails sur le produit:
Relié - Pag. 47 - dim cm 25 x 18 - ill. color - Rotterdam (NL) 2010 - Editeur: Galerie Kathy Van Der Pas & Steven Van De Raadt - Langue: Anglais & Français
Descrizione libro:
Catalogue de l'exposition "Communicative Masks", Parcours des Mondes, Paris, September 8 - 12,
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STROTHER Z.S.
PENDE
Détails sur le produit:
Broché: 128 pages - Editeur: Five Continents Editions; Édition: illustrated edition (21 février 2008) Collection: Visions of Africa Series - Langue: Anglais - ISBN-10: 8874393849 - ISBN-13: 978-8874393848
Book Description
Although many societies in the Congo were once renowned for their vibrant carved masks and architectural sculptures, these phenomena have only been studied as living traditions among a handful of peoples, most notably the Pende. Lavish illustrations evoke the full range of Pende expression and offers a unique window into both masquerade and architecture in Central Africa. Part of the Visions of Africa
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SEGY Ladislas
Masks of Black Africa
Détails sur le produit: - Broché: 248 pages - Editeur: Dover Publications Inc. (6 septembre 1976) - Langue: Anglais - ISBN-10: 048623181X - ISBN-13: 978-0486231815
Descrizione libro: Dover Publications, NY, 1976. First Edition; 4to, 248 pages. Comprehensive study of Arican masks, profusely illustrated with 264 b&w photographs of masks from all parts of Africa, each identified by tribe, place of origin, and ritual use. Includes masks of the Dogon, Bambara, Senufo, Guere (Ngere)-Wobe, Baule, Kuyu, Yoruba, Baga, Bapende, Bwa, Bobo-Fing, Ibo, and many other tribes. Lengthy introductory essay discussing the psychology of the masks, roles of the dancer, naturalism vs. abstraction, carving styles, the place of the carver in tribal society, and much other background material. Extensive tribal location map at the front. A Dover original first edtion. Fine, in illustrated
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Notes succinctes sur les masques kalengula des Luntu et des peuples voisins (R.D.C.)
(première partie)
Constantin PETRIDIS (1) in Arts d'Afrique Noire arts premiers Automne 2000 N° 115
Au sein de la littérature sur les masques de l'Afrique subsaharienne, ce sont surtout les masques en bois sculpté qui ont retenu l'attention des chercheurs. Les publications sur le bassin du Congo n'ont pas fait exception à cette règle. Ainsi, le catalogue d'exposition 'Face of the Spirits', publié en 1993 à l'occasion d'une exposition du même nom à l'Etnografisch Museum d'Anvers, ne montre, sur un total de cent treize masques, que cinq exemplaires en fibres tressées (2). La rareté de ces objets dans les collections occidentales est due, entre autres, au fait que les matières utilisées résistent mal au transport et aux changements climatiques. Il faut sans doute également voir dans cette lacune une explication d'ordre esthétique. En effet, les premiers collectionneurs d'art africain, se laissant guider par des idéaux occidentaux, ne prenaient en considération que des matières jugées nobles telles le bois, les métaux ou l'ivoire. Pourtant, hormis des masques en bois sculpté, plusieurs peuples du bassin du Congo ont produit des couvre-chefs et couvre-visages en fibres et autres matières plus éphémères. Or, bien qu'ils soient occasionnellement mentionnés dans des publications spécialisées, les études approfondies les concernant font aujourd'hui toujours défaut (3).
En vertu de ce constat, il nous a semblé pertinent de nous pencher sur l'étude d'un type de masque nommé kalengula qui, malgré une
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MULLEN-KREAMER Christine, FREYER Bryna et NICOLLS Andrea
African Vision: The Walt Disney-Tishman African Art Collection
Détails sur le produit: Relié: 235 pages - Editeur: Prestel; Édition : illustrated edition (30 mars 2007) - Langue: Anglais - ISBN-10: 3791338021 - ISBN-13: 978-3791338026
Descriptions du produit: Ninety renowned masterpieces of African art that inspired artists at the Walt Disney studios. In 2005, the Walt Disney Company donated its Walt Disney-Tishman African Art Collection to the Smithsonian Institution's National Museum of African Art in Washington, D.C. Considered one of the world's finest collections of African art, the Disney-Tishman Collection contains iconic pieces dating from the fifteenth to twentieth centuries and showcases art that represents seventy-five peoples and twenty countries. This book explores the many ways that the collection reflects Africa's rich history and culture and focuses particularly on objects used in performance, rituals, and as emblems of power. Figures carved in stone, wood, and ivory; stools, masks, crowns, jewelry, and hunting tools--each object is presented in vivid color plates and accompanied by texts providing information about the objects' history, uses, and materials. This beautiful book accompanies the first public presentation of the collection in the past twenty years, permitting a new generation to experience one of America's national treasures.
About the author: Christine Mullen Kreamer is Curator at the National Museum of African Art. Bryna Freyer is Curator for Collections at the National Museum of African Art. Andrea Nicolls is curatorial liaison for loan at the National Museum of African Art. Martin Sklar is Vice Chairman and Principal Creative Executive of Walt Disney
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MEYER Laure
Black Africa: Masks, sculpture, jewelry
Détails sur le produit: Broché: 224 pages - Editeur: Editions Pierre Terrail (1992) - Langue: Anglais
ISBN-10: 287939032X - ISBN-13: 978-2879390321
Descriptions du produit:The Northern Hemisphere has long looked at the art of the Southern Hemisphere and equatorial regions as a collection of curios or travel trophies illustrating the essentially barbarous nature of its creators. Slowly such views are changing as more effort is put to understanding the individual works of art and their context in the societies that produced them. Art historian Meyer has attempted to integrate over 200 color photos together with a general text giving an overview of the role of the arts in various African cultures. Although her choppy text (translated from the French) will provide a basis for interested readers to start research, the bibliography is dated and leads mostly to French sources. Rather than present an overview, Newton, the former director of New York's Museum of Primitive Art, has produced a catalog of suberb photographs with scholarly explanatory captions. The objects, mostly of wood, are drawn from Geneva's Barbier-Mueller Museum, considered one of the best collections in the world. Photographed with great depth of field and subtle lighting designed to accentuate texture, the sculptures are brought to life by a fine-grain printing process. Meyer uses some photos that also appear in Newton's book, but the two works complement each other rather than overlap. The Newton book is the better choice for general collections, but the differences in explaining societal context and the different scope of coverage warrant placement of both books in comprehensive collections. David McClelland, Temple Univ. Lib., Philadelphia Copyright 1992 Reed Business Information, Inc. --Ce texte fait référence à une
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MEYER Laure
Art and craft in Africa: Everyday life, ritual, court art
Détails sur le produit:
Broché: 207 pages - Editeur: Terrail, first English edition, 1995. - Langue: Anglais
ISBN-10: 2879390982 - ISBN-13: 978-2879390987
Descriptions du produit:
Most museum exhibitions and books on African art focus on masks and figurative sculptures, largely ignoring many types of objects common in African cultures that "demonstrate an aesthetic sensibility all the more remarkable for serving the humblest of purposes." In this volume, Meyer offers a splendidly illustrated survey of everyday, primarily utilitarian objects furnishings, culinary utensils, textiles, jewelry, weapons, musical instruments, games, pipes, regalia, that reveal undeniable beauty of design, ornamentation, or display. Less detailed and scholarly than Roy Sieber's catalog African Furniture and Household Objects (Indiana Univ. Pr., 1980), Meyer's work nevertheless offers concise introductions to scores of categories of objects that are both essential to, and revealing of, the nature of African life. Highly recommended for public library collections of African studies or art. Dr. Eugene C. Burt, Art Inst. of Seattle
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KOLOSS Hans-Joachim
Africa Art and Culture: Masterpieces of African Art - Ethnological Museum, Berlin
Détails sur le produit:
Relié: 240 pages - Editeur: Prestel; Édition: illustrated edition (14 septembre 2005)
Collection: African, Asian & Oceanic Art - Langue: Anglais
ISBN-10: 3791327720 - ISBN-13: 978-3791327723
KOLOSS Hans-Joachim - Africa Art and Culture: Masterpieces of African Art: Ethnological Museum, Berlin
Descrizione del prodotto - Book Description - Publisher comments
Descriptions du produit:
Book Description
One of the leading collections of African art in the world, the African collection at Berlin’s Ethnological Museum contains important masterpieces from many different regions of the continent.
This stunning book includes more than two hundred color and black-and-white reproductions of masks, ceremonial figures, musical instruments, and objects of everyday life from throughout Africa. Among the jewels in the museum are the Ife Collection from Nigeria; rare Benin bronzes; Afro-Portuguese ivories; magical figures from the Lower Congo and a host of East African sculpture and masks that have gained increasing attention in recent years. Essays by leading ethnologists supply important cultural and historical information on each region, as well as fascinating insights into the ways European and African art have traded influences over the
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JORDAN Manuel
Chokwe: Art and Initiation Among Chokwe and Related Peoples
Détails sur le produit: Broché: 191 pages Editeur: Prestel; Édition: illustrated edition (1 November 1998) Langue: Anglais - ISBN-10: 3791319973 - ISBN-13: 978-3791319971
Descrizione libro: Magnificently loaded with elegant plates of ceremonial and tribal objects from the Chokwe tribe and others in Angola, this exhibition catalog accompanies a show originating at the Birmingham Museum of Art in Alabama; editor Jordàn, who spent more than two years with the Chokwe and related tribes, is the museum's curator. The objects are mostly carved wood, but their polished, stylized vision of people and nature and the variety and especially the depth of feeling in masks raise them far above craft. The pieces are shown alone, as in a museum exhibit, with art stressed more than anthropology. To remedy this, seven scholarly articles by authorities on the Chokwe appear throughout, along with photos of native life. While this puts into context objects like whistles, thrones, and the intriguing divination baskets full of tiny magical charms, it has a somewhat choppy effect. One of a series of books on African art by Prestel (e.g., African Art from the Han Corey Collection, LJ 6/15/98), this covers a seldom-visited area rich in heritage. For larger art-oriented and college libraries.AGay W. Neale, Southside Virginia Community Coll. Lib.,
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HOMBERGER Lorenz, Geary M. Christraud, Koloss Joachim
CAMEROON: Art and Kings
Détails sur le produit: - Broché: 255 pages - Editeur: Museum Rietberg, Switzerland (15 mars 2008) Langue: Anglais - ISBN-10: 3907077369 - ISBN-13: 978-3907077368
Descrizione libro: The ancient kingdoms of the Cameroon Grassfields are famous for their splendid artworks - thrones ornamented with precious European beads, wooden figures sculptured by unknown masters, enormous drums, finely carved jewelry made from ivory and brass, as well as fabulous masks. This book presents 150 impressive masterpieces from the courts of the Grassfield kingdoms. Historical photographs illustrate the magnificent life at the courts so enthusiastically described by the first European visitors in the late 19th century. Additional field photographs taken in recent years show that the traditions in the Grassfields are still alive and cared for today. Two leading scholars in the field of Cameroonian art give an important introduction to the fascinating and complex world of the Grassfield kingdoms: their rituals, secret societies, and, above all, the meaning of art in this context. Christraud M. Geary explores the dynamic of palace art in the kingdom of Bamum, whch repeatedly adapted to ever-changing conditions and maintained a continuous dialogue with the outside world. Hans-Joachim Koloss gives a detailed overview of court art in the North West Province, focusing in particular on the numerous masks which are owned by the palaces as well as the secret
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STEPAN Peter, HAHNER Iris
Spirit Speaks: A Celebration of African Masks
Détails sur le produit: - Relié: 192 pages - Editeur: Prestel (21 septembre 2005) - Langue: Anglais
ISBN-10: 3791332287 - ISBN-13: 978-3791332284
Descrizione libro: DImages of outstanding African masks from the world’s leading museums and private collections reveal the splendor and majesty of these fascinating masterpieces. The masks seen in these pages represent diversity and an aesthetic power that rivals the most renowned works of art from around the world. Originating from more than thirty countries throughout Africa, the masks featured here are shown in stunning full-page reproductions and accompanied by field photographs. Each mask reflects a strong personal and artistic vision, and embodies ancestors and beings from the spirit world. The selected masks can be identified by magic expression, noble proportions, and delicate surface detail. Enlightening commentary offers background information about the function and origins of the masks’ use within the ethnic groups from which they originate. A beautifully produced full-color foldout map places each mask in its original site, which together with the stunning reproductions, field photographs, and text, creates a magnificent celebration of African artistry and
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HAHNER-HERZOG Iris, Maria Kecskesi, Lazlo Vajda
African Masks: From the Barbier-Mueller Collection
Détails sur le produit:
Broché: 287 pages - Editeur: Prestel; Édition: illustrated edition (2002) - Collection: African, Asian & Oceanic Art - Langue: Anglais
ISBN-10: 3791327097 - ISBN-13: 3-7913-2709-7
HAHNER-HERZOG Iris, Maria Kecskesi, Lazlo Vajda:
African Masks: From the Barbier-Mueller Collection
Descriptions du produit: Descrizione libro
Descriptions du produit:
Descrizione libro
From Library Journal
These two books by the same publisher are very similar in a number of ways?they are designed to accompany major European exhibitions; contain hundreds of visually impressive photos of some of the finest works of African artistry; and cover the art of Africa while emphasizing the sculpture of West and Central Africa. These similarities aside, the books differ significantly in terms of the nature of the text and the focus of the content. Early in the 20th century a small number of European collectors acquired significant collections of African art. Han Coray (1880-1974), a modern art dealer in Zurich, was one of the earliest of those collectors, and his extensive collection eventually became the property of the Zurich University Ethnographic Museum. African Art is a catalog of that collection, with over 300 photographs of the objects. While most of the catalog entries provide useful information about the objects, some are unsatisfyingly only descriptive. More than a dozen essays are also provided,
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FOSS Perkins
Where Gods and Mortals Meet: Continuity and Renewal in Urhobo Art
Détails sur le produit: - Relié: 152 pages - Editeur: Snoeck-Ducaji & Zoon; Édition: illustrated edition (10 mai 2004) - Langue: Anglais - ISBN-10: 9053495061 - ISBN-13: 978-9053495063
Book Description: The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of Where Gods and Mortals meet, the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades. Edited by Perkins Foss.Essays by John Picton, Perkins Foss, Michael Y. Nabofa, G.G. Darah, Tanure Ojaide, and Bruce Onobrakpeya. Foreword by Peter Ekeh. Hardcover, 9 x 12 in. / 152 pgs / 141 color and 7
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FISCHER Eberhard
GURO: Masks, Performances, and Master Carvers in Ivory Coast
Détails sur le produit: Relié: 520 pages - 244mm x 45mm x 303mm. - Editeur: Prestel (3 mars 2008) - Langue: Anglais - ISBN-10: 3791339419 - ISBN-13: 978-3791339412
Descrizione libro: The Guro people of Africa's Ivory Coast are renowned for their rich mask and sculpture traditions. These objects of joyful and sublime beauty are used in a variety of social and spiritual ceremonies. Art ethnologist Eberhard Fischer has spent decades researching the Guro traditions and documenting their way of life. In this book he presents a collection of hundreds of images, many of them published for the first time, of masks and woodcarvings, as well as lively scenes of Guro dances and artisans at work. Numerous interviews with prominent Guro, including religious officials, carvers, weavers, dancers, and cult masters, enhance the appreciation of this society. Eberhard's unique understanding of the Guro makes this volume a standard work on the art and culture of these
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CHEMECHE George
THE HORSE RIDER IN AFRICAN ART
Détails sur le produit:
Relié: 384 pages - Dimensione: 240 x 35 x 280 mm - Editeur: ANTIQUE COLLECTORS' CLUB Editions (29 juin 2011) - Langue: Anglais
ISBN-10: 1851496343 - ISBN-13: 978-1851496341
CHEMECHE George - THE HORSE RIDER IN AFRICAN ART
Descriptions du produit
Descriptions du produit:
Note Libraio:
Horses are very rare in Africa. The few to be found west of Sudan, from the lands of the Sahara and Sahel down to the fringes of the tropical forests, belong to the king, the chief warrior and to notable persons. Due to the dense humidity of the tropical rainforest and the deadly tsetse fly, only restricted numbers of horses survive. And yet rider and mount sculptures are common among the Dogon, Djenne, Bamana, Senufo and the Yoruba people. The Akan - Asante people of Ghana and the Kotoko of Chad produced a good deal of small casting brass and bronze sculptures. Some of the artists could barely even have caught a glimpse of a horse. This visually stunning book presents a wealth of African art depicting the horse and its rider in a variety of guises, from Epa masks and Yoruba divination cups to Dogon sculptures and Senufo carvings. In Mali, the Bamana, Boso and Somono ethnic groups still celebrate the festivals of the puppet masquerade. The final chapter of this book is dedicated to the art and cult of these festivals, which are still alive and well. It is not the habit of the African artist to provide intellectual statements for his work, yet his unique creative dynamic and far-searching vision does not conflict with that of
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CAMERON L. Elisabeth
Art of the Lega - (ISBN-10: 0930741889 - ISBN-13: 978-0930741884)
Détails sur le produit: Broché: 231 pages - Editeur: Fowler Museum of Cultural History,U.S.; Édition: illustrated edition (1 mai 2002) Langue: Anglais
Book Description:
Drawing upon diverse sources, including Daniel P. Biebuyckís seminal fieldwork of the 1950s, Elisabeth Cameron investigates the culture and the art of the Lega peoples of the Democratic Republic of the Congo. Among the Lega, art is only created for and used by the Bwami Society. Bwami is a complex organization consisting of multiple levels, and it forms an essential component of the political, social, and religious structure of the Lega. Within Bwami, artworks are used in conjunction with proverbs, anecdotes, and performances to form complex layered metaphors and to serve as mnemonic devices. As initiates move up through the ranks of the Bwami Society, a variety of different artworks assist them in recalling a vast corpus of complex aphorisms. The many beautiful examples of Lega artworks illustrated in this volume are drawn primarily from the Jay T. Last collection and include masks, animals, human forms, miniature tools, and
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